| TITLE |
INSTRUMENTATION |
LENGTH |
| SACRED
SOULS (2012) |
Bass clarinet,
orchestra and tape
|
20 min. |
| WORK IN PROGRESS |
|
|
| BEIGE AND YELLOW (2011) |
Duet for cornet and trumpet |
12 min. |
| FIRST PERFORMANCE: May 8, 2011 at Piano Magic, NYC |
|
LEAH'S SONG (2011)
(working title) |
Three electric guitars |
12 min. |
| For Mark Stewart |
|
|
FANFARE
FOR TRUMPET (2009)
For Barack Obama |
cornet in b-flat
|
8 min. |
| FIRST PERFORMANCE: April 4, 2009 at Piano
Magic, NYC |
|
MUSIC
FOR BOUND (2008)
From BOUND a Collaboration with
Elka Krajewska and Anthony McCall |
Solo piano
with two ebows
|
19-20
min. |
FIRST PERFORMANCE: APRIL 12, 2008 at
Lehman Maupin Gallery, NYC
WHERE
IS JEFF? (2008)
In Memory of Jeff Hoyer |
b. cl, vc, trp, 2 pf, glock,
vibe, drums
w/ a film by Bunita Marcus
|
18
min. |
FIRST PERFORMANCE: March 12, 2008 at Roulette, NYC
| FOR
JEFF HOYER (2007) |
two
pianos
w/ a film by Bunita Marcus |
20
min. |
FIRST PERFORMANCE: January 20, 2007 at Piano Magic, NYC
| EXPEDITIONS
(2007) |
two
pianos |
15-20
min. |
FIRST PERFORMANCE: October, 2007 at Piano
Magic, NYC
| ARE
YOU RECORDING? (2007) |
two
pianos |
15-20
min. |
IMPROVISATION
| COUNTER
POINTS (2007) |
two
pianos |
15-20
min. |
FIRST PERFORMANCE: November, 2007 at Piano
Magic, NYC
LULLABY
(2002)
For Morton Feldman
|
solo
piano |
3
min. |
| MUSIC
FOR DAILY LIFE |
transposable
voice |
1-4
min. per song |
Near
completion, forty+ songs COMMISSIONED BY: John Cage
| SUGARCUBES
(1996)
In Memory of John Cage |
solo
piano |
5
min. |
FIRST PUBLIC PERFORMANCE: North River Series, Greenwich House, New
York City 1998
| JULIA
(1989) |
solo
piano |
8
min. |
COMMISSIONED
BY: EMI Records, Tokyo, for Aki Takahashi, FIRST PERFORMANCE:
Tokyo, 1990
BUT
TO FASHION A LULLABY FOR YOU (1988, REV 1998)
In Memory of Morton Feldman |
solo
piano
|
25
min.
|
COMMISSIONED
BY: Morton Feldman for Aki Takahashi, FIRST PERFORMANCE: Bunita
Marcus, NYC 1988. Revised: Aki Takahashi, Tokyo Premiere, 2013
COMMISSIONED BY: Middelburg Festival for the Xenakis Ensemble
FIRST PERFORMANCE: The Middelburg Festival, Holland, 1987
| CORPSE
AND MIRROR (1986) |
vn,
16 gongs, 2 vibr, kodo |
22
min. |
SPECIAL COMMISSION BY: Friedrich Hommel for Internationalen
Ferienkurse fur Neue Musik Final Ceremony, Darmstadt Festival
FIRST PERFORMANCE : Darmstadt Festival, Germany, 1986
COMMISSIONED BY: Kronos Quartet, FIRST PERFORMANCE: Middelburg
Festival, Holland, 1986 AWARD: Kranichsteiner Musikpreis, Darmstadt
International Music Festival, 1986
COMMISSIONED BY: Feldman and Soloists, FIRST PERFORMANCE : Almeida
Festival, London, 1985
TEXT BY: David Shapiro
| SLEEPING
WOMEN (1984) |
fl,
vn, pf |
12
min. |
COMMISSIONED BY: Feldman and Soloists, FIRST PERFORMANCE: Almeida
Festival, London, 1986
COMMISSIONED BY: Sound-Space ARK Ensemble, FIRST PERFORMANCE:
Sound-Space ARK 10th Anniversary Concert, Sogetsu Hall, Tokyo,
1983, COMMAND PERFORMANCE (Toru Takemitsu request): for the
International Festival of the Arts, Japan Society, New York,
1988, CHOREOGRAPHED (for solo male dancer) and performed by
: Tim Wengerd
| SOLO
(1982) |
solo
flute |
31
min. |
COMMISSIONED BY: Eberhard Blum, FIRST PERFORMANCE: Atelier Wolfram
Erber, Berlin, 1982 AWARD: ISCM: League of Composers, National
Composers Competition, 1983
| MERRY
CHRISTMAS, MRS. WHITING (1981) |
solo
piano |
4
min. |
FIRST PERFORMANCE: Buffalo New Music Ensemble, 1983, CHOREOGRAPHED by Eiko and Koma, 2008
COMMISSIONED BY: Aki Takahashi, FIRST PERFORMANCE: Evenings
for New Music, Albright Knox Gallery, Buffalo, 1981 AWARD: ISCM:
Two Pianos and Violin, First selection by international jury,
World Music Days, Graz 1982
| WOLPE
VARIATIONS (1980) |
solo
piano |
9
min. |
FIRST PERFORMANCE: North River Series, Lisa Moore, Piano, New
York City, 1998
COMMISSIONED BY: Yvar Mikhashoff & Francis Uitti, FIRST PERFORMANCE:
Composers Forum, Buffalo, 1979 CHOREOGRAPHED and performed by:
Erroll Simpson Dance Company
FIRST PERFORMANCE: Composers Forum, Buffalo, 1979
FIRST PERFORMANCE: Composers Forum, Buffalo, Jan Williams Conducting,
1978
| APOGEE
FOUR (1978) |
a.
fl & perc |
10
min. |
COMMISSIONED
BY: Robert Dick and Albert Furness, FIRST PERFORMANCE: Albert
Furness Master Recital, Buffalo, 1978
| APOGEE
THREE (1977) |
solo
clarinet |
15
min. |
FIRST PERFORMANCE: Composers Forum, Buffalo, 1978
| APOGEE
TWO (1977) |
cb,
perc |
10
min. |
FIRST PERFORMANCE: Composers Forum, Buffalo, 1977
| PARENT
TERRAIN (1977) |
cl,
bc, vc, cb, 2 perc |
9
min. |
FIRST PERFORMANCE: Composers Forum, Buffalo, 1977
| APOGEE
ONE (1976) |
solo
guitar |
8
min. |
FIRST PERFORMANCE: Den Haag, Belgium, 1993 Performed by: Seth
Josel
| QUINTET
(1976) |
cl,
bc, 3 perc |
10
min. |
FIRST PERFORMANCE: UW Contemporary Ensemble, 1976
DROUM
(1975)
In Memory of Leah Ginsberg |
sop,
m. sop, tenor; fl, bc, vn, ob, gtr, perc |
15
min. |
FIRST PERFORMANCE: UW Contemporary Ensemble, 1975
| 1975
(1975) |
synthesizer,
a. sax, bc, gtr, steel drum |
12
min. |
FIRST PERFORMANCE: UW Electronic Music Series, 1975
| VALENTINE
(1974) |
solo
voice |
3
min. |
FIRST PERFORMANCE: Composers Forum, Buffalo, 1980
ELECTRONIC
/ MULTI-MEDIA / PERFORMANCE ART
| MANHATTAN
MADNESS (1990) |
short
film |
3
min. |
| IMAGINARY
MAX (1990) |
tape |
40
min. |
| ICE
FALLING (1990) |
tape |
45 min. |
| WOMEN'S
WORK (1990) |
actress,
props, tape |
35
min. |
| KNIFE
FACTS (1990) |
2
martial artists, knives & props |
15
min. |
| READINGS
OF A POLITICAL NATURE (1990) |
speaker |
30
min. |
| PERHAPS
A WOMAN WOULD KNOW (1976) |
Tape,
dance, brass, perc, actors, poetry |
35
min. |
| VISA
(1976) |
Tape,
film, slides, classical gtr |
20
min. |
| TAPE
PIECE (1975) |
tape |
7
min. |
| THE
SKY IS FALLING (1974) |
tape |
25
min. |
|
